Monitor calibration for photographers
An uncalibrated monitor makes every edit a guess. Learn why calibration matters, which tools to use and how often.
If your monitor is too bright, too blue or too saturated, your edits will look wrong on every other screen and in print.
Why it matters
Most monitors ship with high brightness and cool, saturated colors. Editing on them leads to dark, orange or dull images elsewhere.
Calibration tools
Devices like the Calibrite Display or Datacolor SpyderX measure your screen and create a profile that corrects color and brightness.
Recommended settings
- White point: 6500K (D65)
- Brightness: 100 to 120 cd/m² for print work, a bit higher for web work
- Gamma: 2.2
How often
Recalibrate every month or two, as monitors drift over time.
Monitor choice
Look for IPS panels with high sRGB coverage, or 99 percent Adobe RGB for print work. Laptops vary widely in color accuracy.
Room light
Edit in consistent, moderate light. A bright window behind the screen or strong colored light affects how you perceive color.
Print tests
Compare a print to your screen under daylight-balanced light to confirm your workflow.
