Stabilized & remote head rental
For moving shots we rent stabilized heads, remote heads such as Hot Head and Power Pod, DJI Ronin 2 and RS gimbals, Easyrig and ReadyRig body support, and car mounts for driving scenes.
Stabilized and remote heads are best run by a technician who knows them, so we offer them with an operator, especially when they go on a crane or vehicle.
Available equipment (7)
Scorpio 3-axis stabilized head
Stabilized remote head for cranes, cars and cable cams.
View details →
ARRI stabilized remote heads
ARRI stabilized heads and the Maxima system for vehicles and cranes.
View details →
Remote heads (Hot Head, Power Pod)
2- and 3-axis remote heads for jibs and cranes.
View details →
DJI Ronin 2
Heavy-duty gimbal for cinema cameras, handheld, car or crane.
View details →
Easyrig Vario 5 and Serene
Body-worn camera support for long handheld days.
View details →
ReadyRig, Flowcine and shock mounts
Gimbal support arms and shock absorbers for smoother handheld shots.
View details →
Car mounts and rickshaw
Car mounting kits and rickshaw for driving and tracking shots.
View details →Frequently asked questions
Do remote heads come with an operator?
We recommend it, and for crane and vehicle work an operator is required.
What payload does a Ronin 2 carry?
It handles full cinema packages such as an ALEXA Mini or RED with a cinema lens; we balance it to your build.
Do you have car mounts?
Yes, suction and hostess-tray mounts for interior and exterior vehicle shots.
Prefer us to shoot it for you?
Commercial video
Brand films, TV and connected-TV spots and social ad cuts produced in Mérida, planned so one shoot covers every placement.
View service →
Music video production
Music videos with a cinematic look: concept, performance and narrative shoots, RGB lighting, gimbal and crane moves, edit and color.
View service →
Drone & aerial video
Aerial video and photos of properties, hotels, coastlines, haciendas and events, flown by registered drones and planned around Mexican re…
View service →
Camera crew & DP hire
Directors of photography, camera operators, focus pullers, DITs, gaffers and grips, booked with or without our cinema camera and lighting…
View service →Related guides
Shot types in filmmaking: a visual vocabulary for every scene
Every shot size and angle sends a message. Learn the main shot types in filmmaking, from extreme wide to extreme close-up, plus camera angles, two-shots, over-the-shoulder and POV, and how to combine them into sequences that tell a clear story.
Read tip →
Video storytelling structure: how to make viewers care
Great videos follow a story structure, even when they're only 60 seconds long. Learn the three-act structure, hooks, character and conflict, the brand story framework, story arcs for weddings, documentaries and social reels, and how to find the story in the edit.
Read tip →
Storyboarding and shot lists: plan the film before you shoot it
Storyboards and shot lists save time, money and stress on set. Learn when to storyboard, how to draw simple frames even if you can't draw, what to include in a shot list, how to schedule shots by location and light, and the free tools professionals use.
Read tip →
Video basics for photographers: from stills to moving images
Photographers already understand light and composition, but video adds motion, sound and time. Learn the key differences, resolution and frame rate choices, the 180-degree shutter rule, ND filters, focus and stabilization, audio basics and how to plan a short video.
Read tip →
Frame rates explained: 24, 30, 60 and 120 fps
Frame rate changes how motion feels in your videos. Learn what each common frame rate is used for, how to choose for cinematic, broadcast, social media or slow motion, conforming footage for slow motion, matching frame rates in a project and avoiding flicker under artificial lights.
Read tip →
The 180-degree shutter rule: natural motion blur in video
The 180-degree rule sets your shutter speed at double your frame rate for natural-looking motion. Learn where the rule comes from, how to apply it at different frame rates, why ND filters are essential, when to break the rule creatively and how to avoid flicker.
Read tip →More rental equipment
Ready for a quote?
We reply fast on WhatsApp, in English or Spanish.
Build your gear package in 2 minutes
Tell us about your project, dates, location and budget. We suggest cameras, lenses, lighting, grip and crew, then send you a quote.
- Digital and film cinema: ARRI, Sony, RED
- Lighting, grip, dollies, cranes and generators
- Mérida, Yucatán and the Riviera Maya
- RED
- Fujifilm
- Hasselblad
- Profoto
- Broncolor
- Elinchrom
- O'Connor
- Cartoni
- Preston
- cmotion
- Flanders Scientific
- Aputure
- Nanlux
- DMG Lumière
- LiteGear
- Dedolight
- K5600
- Hudson Spider
- J.L. Fisher
- Panther
- Cammate
- Yamaha
